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Music Makes the Nation - Nationalist Composers and Nation Building in Nineteenth-Century Europe (Hardcover, Parental Adviso)
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Music Makes the Nation - Nationalist Composers and Nation Building in Nineteenth-Century Europe (Hardcover, Parental Adviso)
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This book is an intellectual and cultural history about one of the
most striking phenomena in all of nineteenth-century
culture-namely, the interaction of nationalism and music. Nearly
all the nation-building movements that swept across Europe in that
century found some of their most influential and lasting
expressions through the art of nationalist composers who took an
active part in those movements. The political, intellectual, and
artistic story behind some of the greatest musical works of the
time and the artists who created them is the book's focus.
Beginning with a theoretical explanation of the relationship
between nationalism and music, three composers then come forward to
stand at the center of the analysis: Richard Wagner in Gemany,
Bedrich Smetana in the Czech lands, and Edvard Grieg in Norway.
Their political and artistic projects to create a national music
for their countries are the topic of the second chapter. The third
chapter explores in detail the essential role that folk music
played in nationalism as an attempt to fuse artistically the urban
and rural populations into one national whole. The fourth chapter
discusses the conflicts within nationalist movements over foreign
artistic influence on the national culture. The international
dimensions of nationalist music are the subject of the fifth
chapter, examining Wagner's, Smetana's, and Grieg's aspirations for
their art to represent their nations to the world. Finally, the
concluding chapter offers a sweeping overview of nationalist
composers and their works for a probing historical summary of
music's contribution to nation building. As one of the very few
broad, comparative studies of nationalist music, Music Makes the
Nation is an essential resource for students and scholars in
history and musicology. In addition, as a groundbreaking analysis
of the socio-political functions of nationalist music, the book
will be of interest to those studying nationalism and political
science.
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