Jazz and Totalitarianism examines jazz in a range of regimes that
in significant ways may be described as totalitarian, historically
covering the period from the Franco regime in Spain beginning in
the 1930s to present day Iran and China. The book presents an
overview of the two central terms and their development since their
contemporaneous appearance in cultural and historiographical
discourses in the early twentieth century, comprising fifteen
essays written by specialists on particular regimes situated in a
wide variety of time periods and places. Interdisciplinary in
nature, this compelling work will appeal to students from Music and
Jazz Studies to Political Science, Sociology, and Cultural Theory.
General
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