Alisoun Sings finds its starting-point with Chaucer's iconic,
proto-feminist Wife of Bath. Her forceful voice leads the way
across narratives of genders, and addresses the brutality of social
conventions with caustic humor. This labyrinthine text navigates
love and protest in landscapes impacted by global warming, systemic
violence and solar eclipses. Bergvall continues her previous work
creating texts that rest on transhistoric forms of English, beyond
its dominance as a global lingua franca, and places her quest in
the intersections and migrations of stories and languages.
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