This book: takes media and critical studies approach to the museum
and raises questions about the role of privately-owned search
engines in facilitating museum experiences. It questions who
collects what, for whom objects are collected and what purpose
these objects and collections serve. brings attention to an
emerging new model of digital ownership and moderation by
connecting fieldwork undertaken in Australia and New Zealand with
the global practices of technology companies. will be of interest
to academics and students working in the fields of museum studies,
art, culture, media studies and digital humanities and for
practitioners working in museums and galleries around the world.
General
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