Books > Arts & Architecture > History of art / art & design styles > 500 CE to 1400
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Colour and Light in Ancient and Medieval Art (Hardcover)
Loot Price: R4,596
Discovery Miles 45 960
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Colour and Light in Ancient and Medieval Art (Hardcover)
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The myriad ways in which colour and light have been adapted and
applied in the art, architecture, and material culture of past
societies is the focus of this interdisciplinary volume. Light and
colour's iconographic, economic, and socio-cultural implications
are considered by established and emerging scholars including art
historians, archaeologists, and conservators, who address the
variety of human experience of these sensory phenomena. In today's
world it is the norm for humans to be surrounded by strong,
artificial colours, and even to see colour as perhaps an
inessential or surface property of the objects around us.
Similarly, electric lighting has provided the power and ability to
illuminate and manipulate environments in increasingly
unprecedented ways. In the context of such a saturated experience,
it becomes difficult to identify what is universal, and what is
culturally specific about the human experience of light and colour.
Failing to do so, however, hinders the capacity to approach how
they were experienced by people of centuries past. By means of case
studies spanning a broad historical and geographical context and
covering such diverse themes as architecture, cave art, the
invention of metallurgy, and medieval manuscript illumination, the
contributors to this volume provide an up-to-date discussion of
these themes from a uniquely interdisciplinary perspective. The
papers range in scope from the meaning of colour in European
prehistoric art to the technical art of the glazed tiles of the
Shah mosque in Isfahan. Their aim is to explore a multifarious
range of evidence and to evaluate and illuminate what is a truly
enigmatic topic in the history of art and visual culture.
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