Even a casual observer can spy traces of Islamic architecture and
design on buildings all over the world, a reminder that artistic
traditions and visual culture have never been limited to their
region or country of origin, but rather are highly diffusible. This
book brings together scholars from architectural studies, design,
art history and other fields to challenge and expand concepts of
Islamic architecture. Ranging from eighteenth-century Ottoman tents
to manifestations of Islamic motifs in 1960s Hawaii, this richly
illustrated volume raises key questions about Islamic architecture,
and, more broadly, about how we can rethink our understanding of
material, artistic and cultural mobility in the modern world.
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