Though it is often neglected in cinema scholarship, screen
performance is a crucial element in the ideological and emotional
impact of films. More Than a Method: Trends and Traditions in
Contemporary Film Performance features twelve essays that analyze
performance in post-1950s film, addressing distinct questions about
the working relationships between actors and directors and
discussing the interplay between performance and cinematic
techniques. The authors explain the context for performance
analysis as they address an international array of film genres,
actors, and directors including Alfred Hitchcock, Gus Van Sant,
Robert Bresson, Michelangelo Antonioni, Robert Altman, John
Cassavetes, John Sayles, Neil Jordan, Tomas Gutierrez Alea, Stanley
Kubrick, Jim Carrey, and John Woo. More Than a Method provides the
reader with a historical perspective on film performance theory and
explains the relevance of analyzing acting. The essays are divided
into three sections: modernism, neonaturalism, and postmodern film
performance, each opening with a descriptive discussion of screen
acting and the ways dramatic characters are constructed. The
authors clearly define terms relating to acting and acting styles
and provide brief overviews of the significant themes and
predominant visual styles of each director. The volume's essays
share a focus on the art and craft of acting, each emphasizing
performance as it is presented on-screen, challenging the idea that
the best (or only) way to categorize performance is by training or
working method. Through dynamic and sophisticated analyses of a
wide range of acting styles and choices, More Than a Method fills
an important gap in today's film scholarship.
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