The analysis of acousmatic music has traditionally been very
difficult since there is no score to freeze the music in time.
Analysis relies heavily on the act of concentrated listening. Since
aural perception is so crucial to the analysis of acousmatic music,
this book poses the questions: Can a framework for the analysis of
acousmatic music be derived from cognition theories, research on
the auditory perception of everyday environmental sounds, and
studies into the perception of Western tonal music? If so, what are
the frameworks attributes? From experimental data documented in the
relevant literature, this book draws together the constituents of a
cognitive framework called the Segregation, Integration,
Assimilation and Meaning (SIAM) framework for the analysis of
acousmatic music. The book reports on the practical application of
the SIAM framework through a detailed analysis of the work Wind
Chimes, by Denis Smalley. This analytical methodology should be
especially useful to auditory cognition professionals, researchers
interested in musical analysis of non-notated music, and composers
seeking to gain more insight into musical structures in
electroacoustic music in general.
General
Imprint: |
VDM Verlag Dr. Mueller E.K.
|
Country of origin: |
Germany |
Release date: |
June 2008 |
First published: |
June 2008 |
Authors: |
David Hirst
|
Dimensions: |
229 x 152 x 13mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
248 |
ISBN-13: |
978-3-639-03873-6 |
Categories: |
Books >
Arts & Architecture >
Music >
General
Books >
Music >
General
Promotions
|
LSN: |
3-639-03873-8 |
Barcode: |
9783639038736 |
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!