Books > Arts & Architecture > History of art / art & design styles > BC to 500 CE, Ancient & classical world
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The Hellenistic Paintings of Marisa (Hardcover)
Loot Price: R4,528
Discovery Miles 45 280
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The Hellenistic Paintings of Marisa (Hardcover)
Series: The Palestine Exploration Fund Annual
Expected to ship within 12 - 19 working days
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In early June 1902, John Peters, an American theologian, and
Hermann Thiersch, a German classical scholar, were alerted to the
discovery of two painted burial caves at Marisa/Beit Jibrin, less
than 40 miles (62 km) by road southwest from Jerusalem. Tomb
robbers had, a short time previously, forced their way into the
burial chambers and caused damage to their fabric. Realising that
these splendid tombs dated to about 200 BCE and the importance of
their painted interiors, the two scholars immediately commissioned
a leading Jerusalem photographer, Chalil Raad, to record them. This
was fortunate, because the paintings on the soft limestone walls
rapidly deteriorated and now can no longer be seen. Peters and
Thiersch published a monograph on the painted tombs, illustrated
with hand-drawn copies of the photographs, but the original plates
have lain all these years in the archives of the Palestine
Exploration Fund in London, unpublished. The paintings are unique
in the Greek pictorial repertoire and are among the most important
surviving examples of Ptolemaic art. The remarkable painted frieze
extending along the two long sides of the main chamber of Tomb I
depicts 22 different animal species, drawn from the wild fauna of
the Levant, the Nile basin and the Horn of Africa - as well as a
few mythical beasts. This animal frieze attests to the interest in
exotic animals shown in the Hellenistic period. Other remarkable
subjects represented in the Marisa paintings include Cerberus, the
three-headed guard-dog of Hades, and a pair of elegant musicians in
Greek dress. Timed to coincide with the centenary of the discovery
of the painted tombs, a new study on the paintings has been
produced by David Jacobson. This study appears as Annual VII of the
Palestine Exploration Fund. It contains, for the first time, high
quality reproductions of the photographic plates taken in 1902,
which are held in the PEF collections. Reproduced with the
photographs are the proofs of the coloured lithographs, which are
superior in quality to the versions that were published. The
inaccuracies and loss of delicate detail of the originals in the
coloured lithographs used by Peters and Thiersch for their 1905
publication are clearly apparent. The accompanying text includes an
analysis of all the paintings in the light of a century of
scholarship and an assessment is made of their religious and
cultural significance. Each of the animals in the frieze is
compared with descriptions given by ancient writers, and a new
interpretation is presented of the cycle as a whole. An appraisal
is made of the overall contribution of the Marisa paintings to our
knowledge of the art and culture of the Levant in the Ptolemaic
period. Included with this new study is facsimile reprint of the
original 1905 publication, now long out of print, and it includes
superior copies of the coloured lithographs from that edition. This
new publication also reproduces a very rare addenda section
prepared by R.A.S. Macalister after inspecting the Marisa tombs in
October of that year.
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