Animation has been part of television since the start of the medium
but it has rarely received unbiased recognition from media
scholars. More often, it has been ridiculed for supposedly poor
technical quality, accused of trafficking in violence aimed at
children and neglected for indulging in vulgar behaviour. These
accusations are often made categorically, out of prejudice or
ignorance, with little attempt to understand the importance of each
programme on its own terms. This book is a serious look at the
whole genre of television animation, from the early themes and
practises through the evolution of the art to the present day.
Examining the productions of individual studios and producers, the
author establishes a means of understanding their work in new ways,
at the same time discussing the ways in which the genre has often
been unfairly marginalised by critics, and how, especially in
recent years, producers have both challenged and embraced this
""marginally"" as a vital part of their work. By taking seriously
something often thought to be frivolous, the book provides a
framework for understanding the persistent presence of television
animation in the American media - and how surprisingly influential
it has been.
General
Imprint: |
McFarland & Company
|
Country of origin: |
United States |
Release date: |
March 2014 |
First published: |
May 2014 |
Authors: |
David Perlmutter
|
Dimensions: |
254 x 178 x 26mm (L x W x T) |
Format: |
Paperback
|
Pages: |
424 |
ISBN-13: |
978-0-7864-7650-3 |
Categories: |
Books >
Arts & Architecture >
General
|
LSN: |
0-7864-7650-8 |
Barcode: |
9780786476503 |
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