Traditionally, Wordsworth s greatness is founded on his identity
as the poet of nature and solitude. The Wordsworthian imagination
is seen as an essentially private faculty, its very existence
premised on the absence of other people. In this title, first
published in 1987, David Simpson challenges this established view
of Wordsworth, arguing that it fails to recognize and explain the
importance of the context of the public sphere and the social
environment to the authentic experience of the imagination.
Wordsworth s preoccupation with the metaphors of property and
labour shows him to be acutely anxious about the value of his art
in a world that he regarded as corrupted. Through close examination
of a few important poems, both well-known and relatively unknown,
Simpson shows that there is no unitary, public Wordsworth, nor is
there a conflict or tension between the private and the public. The
absence of any clear kind of authority in the voice that speaks the
poems makes Wordsworth s poetry, in Simpson s phrase, a poetry of
displacement . "
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