Thomas Hoccleve’s Series (1419-21) tells the story of its own
making. The Making of Thomas Hoccleve’s Series analyzes this
story and considers what it might contribute to the larger story
about book production in the fifteenth century. Focusing on four
surviving manuscripts made by Hoccleve himself between 1422 and
1426, the first four chapters explore the making of the Series in
context. They examine the importance of audience judgment in the
selection and juxtaposition of forms, the extent to which the
physical flexibility of books could serve the needs of their owners
and their makers, the changing tastes of fifteenth-century readers,
and the appetite for new paradigms for reform in head and members.
The final chapter analyzes the most important non-authorial copy of
the Series in order to ask what others made of it. While this study
draws on Hoccleve’s experience, it asserts that the Series offers
a reflection on, not a reflection of, his conception of book
production. The ironic contrast between what Hoccleve’s narrator
intends and accomplishes when making his book is its most redeeming
feature, for it provides insight into the many conflicting
pressures that shaped the way books were made and imagined in early
fifteenth-century England.
General
Imprint: |
University Of Exeter Press
|
Country of origin: |
United Kingdom |
Series: |
Exeter Medieval Texts and Studies |
Release date: |
July 2013 |
First published: |
August 2013 |
Authors: |
David Watt
|
Dimensions: |
239 x 163 x 21mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
272 |
Edition: |
New |
ISBN-13: |
978-0-85989-869-0 |
Categories: |
Books
|
LSN: |
0-85989-869-5 |
Barcode: |
9780859898690 |
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