Dewey Roscoe Jones was a pioneering African American journalist.
While working for the Chicago Defender, the most widely read black
newspaper in the United States, he edited a book review column and
a poetry column whose contributors included Langston Hughes,
Countee Cullen, Frank Marshall Davis, and Gwendolyn Brooks. Jones
personally wrote about fifty reviews, becoming Black Chicago's
premier literary critic and commentator on the Harlem Renaissance.
Frequently disappointed by the novels emanating from New York, he
endeavored to create his own masterwork of fiction. Dark Days is
the fruit of his labors.
Ishmael, the novel's protagonist, comes to age in Oklahoma, "a
wild territory" where former slaves and their offspring vie with
former plantation owners and their offspring to make a new life.
Theirs is a common legacy of frontier violence and frontier dreams,
born in the aftermath of the Civil War, forcible removal of Native
Americans, and the 1889 Land Rush. Black Ishmael loves white
Denise, and their interlocked fates are the center of the tale.
Ishmael's turbulent journey follows Jones's own path from Muskogee
to Chicago to the trenches of war-torn France.
Dark Days was completed midway between 1930 publication of
Langston Hughes's novel Not Without Laughter and Richard Wright's
Native Son in 1940. That chronology situates it in the closing days
of Harlem's Renaissance and on the cusp of Black Chicago's creative
flowering. By recovering his father's novel, Dewey Roscoe Jones II
has performed a service to all readers interested in the trajectory
of African American creative expression in the early twentieth
century.
Richard A. Courage, Professor of English, Westchester Community
College/SUNY; co-author of The Muse in Bronzeville: African
American Creative Expression in Chicago, 1932-1950.
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