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Creating Aztlan - Chicano Art, Indigenous Sovereignty, and Lowriding Across Turtle Island (Paperback, 4)
Loot Price: R964
Discovery Miles 9 640
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Creating Aztlan - Chicano Art, Indigenous Sovereignty, and Lowriding Across Turtle Island (Paperback, 4)
Series: First People: New Directions in Indigenous Studies
Supplier out of stock. If you add this item to your wish list we will let you know when it becomes available.
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In lowriding culture, the ride is many things--both physical and
intellectual. Embraced by both Xicano and other Indigenous youth,
lowriding takes something very ordinary--a car or bike--and
transforms it and claims it.
Using the idea that lowriding is an Indigenous way of being in the
world, artist and historian Dylan A. T. Miner discusses the
multiple roles that Aztlan has played at various moments in time,
from the pre-Cuauhtemoc codices through both Spanish and American
colonial regimes, past the Chicano Movement and into the present
day. Across this "migration story," Miner challenges notions of
mestizaje and asserts Aztlan, as visualized by Xicano artists, as a
form of Indigenous sovereignty.
Throughout this book, Miner employs Indigenous and Native American
methodologies to show that Chicano art needs to be understood in
the context of Indigenous history, anticolonial struggle, and
Native American studies. Miner pays particular attention to art
outside the U.S. Southwest and includes discussions of work by Nora
Chapa Mendoza, Gilbert "Magu" Lujan, Santa Barraza, Malaquias
Montoya, Carlos Cortez Koyokuikatl, Favianna Rodriguez, and
Dignidad Rebelde, which includes Melanie Cervantes and Jesus
Barraza.
With sixteen pages of color images, this book will be crucial to
those interested in art history, anthropology, philosophy, and
Chicano and Native American studies. Creating Aztlan interrogates
the historic and important role that Aztlan plays in Chicano and
Indigenous art and culture.
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