With literature, music constituted the most important activity of
poet and playwright Federico Garcia Lorca's life. The two arts were
closely related to each other throughout his career. As a child,
Lorca imbibed traditional Andalusian songs from the lips of the
family maids, whom he would remember with affection years later. At
a very early age he began to study piano, and during his
adolescence, music and poetry competed for primacy among his
interests. His first book was dedicated to his music teacher, who
instilled in him a love for the world of art and creation. In part
I of this study, Edward F. Stanton examines Lorca's theoretical and
practical approach to cante jondo, the traditional music of
Andalusia, as seen in his lectures on the subject and in the 1922
concurso. In part II, he searches for direct and -- far more
important -- indirect echoes of this music in his work. Part III
explores the mythic quality of Lorca's art in relation to cante
jondo. Throughout, Stanton illuminates a new dimension of the
poet's work.
General
Imprint: |
The University Press of Kentucky
|
Country of origin: |
United States |
Series: |
Studies in Romance Languages |
Release date: |
December 1978 |
First published: |
December 1978 |
Authors: |
Edward F. Stanton
|
Dimensions: |
230 x 150 x 13mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
152 |
ISBN-13: |
978-0-8131-1378-4 |
Categories: |
Books >
Language & Literature >
Literature: history & criticism >
General
|
LSN: |
0-8131-1378-4 |
Barcode: |
9780813113784 |
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