The 'ballet d'action' was one of the most successful and
controversial forms of theatre in the early modern period. A
curious hybrid of dance, mime and music, its overall and overriding
intention was to create drama. It was danced drama rather than
dramatic dance; musical drama rather than dramatic music. Most
modern critical studies of the ballet d'action treat it more
narrowly as stage dance, and very few view it as part of the
history of mime. Little use has previously been made of the most
revealing musical evidence. This innovative book does justice to
the distinctive hybrid nature of the ballet d'action by taking a
comparative approach, using contemporary literature and literary
criticism, music, mime and dance from a wide range of English and
European sources. Edward Nye presents a fascinating study of this
important and influential part of eighteenth-century European
theatre.
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