In the late 1980s, gangsta rap music emerged in urban America,
giving voice to -- and making money for -- a social group widely
considered to be in crisis: young, poor, black men. From its local
origins, gangsta rap went on to flood the mainstream, generating
enormous popularity and profits. Yet the highly charged lyrics,
public battles, and hard, fast lifestyles that characterize the
genre have incited the anger of many public figures and proponents
of "family values." Constantly engaging questions of black identity
and race relations, poverty and wealth, gangsta rap represents one
of the most profound influences on pop culture in the last thirty
years.
Focusing on the artists Ice Cube, Dr. Dre, the Geto Boys, Snoop
Dogg, and Tupac Shakur, Quinn explores the origins, development,
and immense appeal of gangsta rap. Including detailed readings in
urban geography, neoconservative politics, subcultural formations,
black cultural debates, and music industry conditions, this book
explains how and why this music genre emerged. In "Nuthin'but a "G"
Thang," Quinn argues that gangsta rap both reflected and reinforced
the decline in black protest culture and the great rise in
individualist and entrepreneurial thinking that took place in the
U.S. after the 1970s. Uncovering gangsta rap's deep roots in black
working-class expressive culture, she stresses the music's
aesthetic pleasures and complexities that have often been ignored
in critical accounts.
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