In the absence of any modern history of French garden art, this
volume offers twelve chapters that review some of the most
interesting and innovative moments of French garden history. This
series of studies traces a progression from what is taken as the
golden age of French garden art, in the late seventeenth century,
up to the present, when a renaissance of French design theory and
practice is clearly visible.By exploring the contributions of such
important designers as Jean-Marie Morel and Claude-Henri Watelet,
these essays argue for a tradition that includes, but is by no
means exclusively influenced by, Andre Le Notre, long considered
the dominant figure in French garden history. Even a glance at the
wealth of garden theory and practice during the late eighteenth and
early nineteenth centuries must call into question the conventional
neglect of post-Le Notrean work. Each author reads a significant
moment of garden art in relation to a whole cluster of cultural
concerns, which change with the time and place of the garden
discussed; overall, this has meant invoking town planning,
engineering, optics, scientific and philosophic movements,
bourgeois ethics, foreign imports, vernacular workings of the land,
the rise of professional landscape practice, even the modernist
refusal to recognize the garden itself as the prime site of
intervention in the landscape.
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