Ziolkowski explores the religious implications of the figure of
Don Quixote in Western literature from Cervantes to the
present.While scholars and critics in the past have often called
attention to the secularizing tendency of modern literature, to the
numerous fictional adaptations of the Christ figure on the one
hand, and the innumerable literary descendants of Don Quixote on
the other, this study is the first to examine a lineage of
characters in whom the images of the alleged savior and the mad
knight are combined.After considering Don Quixote as the first
modern novel, and taking into account its relationship to religion,
society, and censorship in seventeenth-century Spain, Ziolkowski
traces the history and fate of Don Quixote, the character, through
a series of religious transformations over the centuries, focusing
on three novels that adapt the Quixote figure: Henry Fielding's
Joseph Andrews, Fyodor Dostoevsky's The Idiot, and Graham Greene's
Monsignor Quixote. Ziolkowski argues that, given the increased
secularization and decline of religious consciousness over the last
several centuries, any pursuit of religious values or ideas becomes
questionable and this appears "quixotic" insofar as it stands in
contradiction to the sociohistorical context. He concludes that
religious existence, for the few who pursue it in suffering, which
means that the religious person feels temporally displaced for
adhering to a seemingly obsolete faith and lifestyle.
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