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The Age of Figurative Theo-humanism - The Beauty of God and Man in German Aesthetics of Painting and Sculpture (1754-1828) (Hardcover, 2015 ed.)
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The Age of Figurative Theo-humanism - The Beauty of God and Man in German Aesthetics of Painting and Sculpture (1754-1828) (Hardcover, 2015 ed.)
Series: Boston Studies in Philosophy, Religion and Public Life, 3
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This is a comprehensive, integrated account of eighteenth and early
nineteenth century German figurative aesthetics. The author focuses
on the theologically-minded discourse on the visual arts that
unfolded in Germany, circa 1754-1828, to critique the assumption
that German romanticism and idealism pursued a formalist worship of
beauty and of unbridled artistic autonomy. This book foregrounds
what the author terms an "Aesthetics of Figurative Theo humanism".
It begins with the sculptural aesthetics of Johann Joachim
Winckelmann and Gottfried Herder before moving on to Karl Philipp
Moritz, Wilhelm Heinrich Wackenroder and Friedrich Schelling. The
reader will discover how this aesthetic tradition, after an initial
obsession with classical sculpture, chose painting as the medium
more suited to the modern self's exploration of transcendence. This
paradigm-shift is traced in the aesthetic discourse of Friedrich
Schlegel and Georg Wilhelm Friedrich Hegel. In this work, the
widespread prejudice that such aesthetics initiated a so-called
"Modern Grand Narrative of the Arts" is deconstructed. One
accusation directed at 18th century aesthetics has been that it
realised into "Art" what had previously been a living, rich tissue
of meaning: this work shows how Figurative Theo humanism's
attention to aesthetic values was never detached from deeper
theological and humanistic considerations. Furthermore, it argues
that this aesthetic discourse never forgot that it emerged from
modern disenchantment-far from occluding the dimension of
secularization, it draws poignant meaning from it. Anyone with an
interest in the current debates about the scope and nature of
aesthetics(philosophers of art, theology, or religion) will find
this book of great interest and assistance.
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