The culmination of a trilogy that began with T.S. Eliot, Lancelot
Andrewes, and the Word, and continued with T.S. Eliot: The Poet as
Christian, this gracefully executed new book brings to a triumphant
conclusion the unique effort to pinpoint and identify the Christian
characteristics of Eliot's poetic art. The book offers a close but
companionable reading of each of the complex poems that make up
Four Quartets, the essay-poem that is Eliot's masterwork. Focusing
on the range of speaking voices dramatized, Atkins reveals for the
first time the Incarnational form that governs the work's
'purposive movement' toward purification and fulfilment of points
of view that were represented earlier in the poems.
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