A keen observer of manners and mores, Mike Leigh has been hailed
as a celebrator of "ordinary" people, yet it wasn't until
relatively recently that audiences have been able to appreciate the
full body of his work. In discussing all his films from "Bleak
Moments" and "High Hopes" through "Naked, " the Oscar-nominated
"Secrets and Lies" and "Topsy Turvy, " to "All or Nothing, " Garry
Watson considers this claim, examining the films'influence and
their effect.
At the same time, he takes on the very concepts of "the real"
and "the ordinary" in regard to Leigh's work, challenging much
perceived thinking among critics and moviegoers alike. To what
category does the director's work really belong? Is it British
Realism? The avant garde? Through careful textual detail and wider
social and literary comparison with the works of Charles Dickens
and T. S. Eliot, he argues ultimately for the aritistic and
cultural significance of Leigh's work as one of Britian's most
respected filmmakers.
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