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Buena Vista in the Club - Rap, Reggaeton, and Revolution in Havana (Hardcover, New)
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Buena Vista in the Club - Rap, Reggaeton, and Revolution in Havana (Hardcover, New)
Series: Refiguring American Music
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In "Buena Vista in the Club," Geoffrey Baker traces the trajectory
of the Havana hip hop scene from the late 1980s to the present and
analyzes its partial eclipse by reggaeton. While Cuban officials
initially rejected rap as "the music of the enemy," leading figures
in the hip hop scene soon convinced certain cultural institutions
to accept and then promote rap as part of Cuba's national culture.
Culminating in the creation of the state-run Cuban Rap Agency, this
process of "nationalization" drew on the shared ideological roots
of hip hop and the Cuban nation and the historical connections
between Cubans and African Americans. At the same time, young
Havana rappers used hip hop, ""the music of urban inequality "par
excellence," to critique the rapid changes occurring in Havana
since the early 1990s, when the Soviet Union fell, its subsidy of
Cuba ceased, and a tourism-based economy emerged. Baker considers
the explosion of reggaeton in the early 2000s as a reflection of
the "new materialism" that accompanied the influx of foreign
consumer goods and cultural priorities into "sociocapitalist"
Havana. Exploring the transnational dimensions of Cuba's urban
music, he examines how foreigners supported and documented Havana's
growing hip hop scene starting in the late 1990s and represented it
in print and on film and CD. He argues that the discursive framing
of Cuban rap played a crucial part in its success.
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