The four essays in this volume constitute Derrida's most explicit
and sustained reflection on the art work as pictorial artifact, a
reflection partly by way of philosophical aesthetics (Kant,
Heidegger), partly by way of a commentary on art works and art
scholarship (Van Gogh, Adami, Titus-Carmel). The illustrations are
excellent, and the translators, who clearly see their work as both
a rendering and a transformation, add yet another dimension to this
richly layered composition. Indispensable to collections
emphasizing art criticism and aesthetics. Alexander Gelley, Library
Journal
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