One of the most significant developments in 19th-century Italian
opera was the genesis of the Verdi baritone. The authors argue that
the composer's baritone characters embody "a quintessential
humanity, expressing needs and temptations, confusions and
understandings, griefs and joys that transcend the particulars of
time and place." The Verdi Baritone explores seven of the most
fascinating roles in the repertory, revealing how they were
conceived and executed. This eloquent book opens with a discussion
of Verdi's early triumph, Nabucco; proceeds with Ernani, Macbeth,
Rigoletto, La Traviata, and Simon Boccanegra; and concludes with
his final great tragedy, Otello. Voice students, professional
performers, their teachers and coaches, and opera lovers, will gain
insight into Verdi's masterful use of text, music, and staging to
portray each character's inner self.
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