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Treading the Bawds - Actresses and Playwrights on the Late Stuart Stage (Paperback)
Loot Price: R671
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Treading the Bawds - Actresses and Playwrights on the Late Stuart Stage (Paperback)
Series: Women, Theatre and Performance
Expected to ship within 12 - 17 working days
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Treading the bawds challenges the traditional boundaries that have
separated the histories of the first actresses and the early female
playwright. It brings the approaches of new histories and
historiography to bear on old stories to make alternative
connections between women working in the business of theatre.
Drawing from feminist cultural materialist theories and
historiographies, Bush-Bailey analyses the collaboration between
the actresses Elizabeth Barry and Anne Bracegirdle and women
playwrights such as Aphra Behn and Mary Pix, tracing a line of
influence from the time of the first theatres royal to the
rebellion that resulted in the creation of a player's co-operative.
This is a story about public and private identity fuelling profit
at the box office and gossip on the streets and investigating how
women's on- and off-stage personae feed each other in the emerging
commercial world of the business of theatre. Employing the
narrative strategy of the micro-history, Bush-Bailey offers a fresh
approach to the history of women, seeing their neglected plays in
the context of performance. Competition with the patent house
resulted in a dirty tricks campaign that saw William Congreve
supporting the female rebels or, as this book suggests, being
supported by them. By combining detailed analysis of selected plays
within the broader context of a playhouse managed by its leading
actresses, Bush-Bailey challenges the received historical and
literary canons, including a radical solution to the mysterious
identity of the anonymous playwright 'Ariadne'. It is a story of
female collaboration and influence with the spotlight focussed on
the very public world of women in the commercial business of
theatre. This book is for those interested in a new way of reading
17th century theatre and for all students of performance, culture,
women's studies and gender history.
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