Organized by heretical movements and texts from the Gnostic Gospels
to The Book of Mormon, this book uses the work of James Joyce –
particularly Ulysses and Finnegan’s Wake – as a prism to
explore how the history of Christian heresy remains part of how we
read, write, and think about books today. Erickson argues that the
study of classical, medieval, and modern debates over heresy and
orthodoxy provide new ways of understanding modernist literature
and literary theory. Using Joyce’s works as a springboard to
explore different perspectives and intersections of 20th century
literature and the modern literary and religious imagination, this
book gives us new insights into how our modern and “secular”
reading practices unintentionally reflect how we understand our
religious histories.
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