From the opening poem, an extended elegy for the Cold War's
ambivalent mix of irresponsibility and prosperity, to a concluding
short memoir of Robert Lowell, The Italian Visitor is a book about
memory. The title sequence, an account of a 1940s' childhood,
unravels time by placing Grey Gowrie's eight-year-old self in
fictional relationship with another poetic hero, Eugenio Montale.
The Italian visited 'bankrupt, utilitarian' Britain in 1948, in his
early fifties. There are love songs from the Portuguese, a ballad
about the birth of Israel and elegiac poems for those districts of
London now occupied mainly by overseas tycoons. Gowrie has also
included a selection of the occasional verses he wrote in the years
when poetry left him.
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