The analyses in this volume represent a continuation of those
presented in -Theatralia Judaica I- on the Jewish contribution to
central European theatre from the beginnings of Jewish emancipation
to the advent of National Socialism. Since 1945 Jewish-German
theatre relations have been marked by the Shoah and its aftermath.
In the German-speaking countries the re-establishment of a
theatrical culture was notable from the outset for the significant
contribution made by Jewish authors and theatre artists, while in
Israel the experiences of the immediate past found expression in
the various forms of the Hebrew theatre tradition. Since the mid
fifties there has been an increase in contacts and reciprocal
relations. As shown by events such as the Fassbinder affair in
Frankfurt and the reception of Sobol's work, the recurrent concern
has been to address essential questions pertaining to the
relationship between the two countries."
General
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