Harmony, Heinrich Schenker's first published work, originally
appeared in German in 1906 as New Musical Theories and Phantasies,
by an Artist. Its unusual title indicates what was to be the
rationale of Schenker's lifework, that artistic problems call for
artistic solutions. Schenker's dedication to the formulation of a
complete musical theory above the commonplace theoretical
discussions was, in essence, his quest for a pattern in nature for
music as art. Schenker's theory draws upon a profound understanding
of the works of the masters, and every proposition is illustrated
by a living musical example.
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