Books > Arts & Architecture > Architecture > Individual architects
|
Buy Now
Peichl/Achatz/Schumer. Munchner Kammerspiele, Neues Haus - Opus 43 Series (German, English, Hardcover)
Loot Price: R757
Discovery Miles 7 570
You Save: R128
(14%)
|
|
Peichl/Achatz/Schumer. Munchner Kammerspiele, Neues Haus - Opus 43 Series (German, English, Hardcover)
Series: OPUS
Expected to ship within 12 - 17 working days
|
Text in English and German. The Neues Haus, the new building for
the Munchner Kammerspiele, is not a big building in any sense. The
plot of land not far from Maximilian-strasse, whose greatest
advantage is its proximity to Richard Riemerschmied's
Schauspielhaus, is only about 1000 m2 in area. The most important
quality of the design is in fact that it accepts the modesty of its
role. The new building subordinates itself to the main Kammerspiele
building, and manages without lavish foyers and extensive
prestigious areas. The Neues Haus is a servant building, a place
where work is done. A hasty passer-by would see the building simply
as a white cube, reticent and introverted. Given the serene mastery
of the brief and the architectural resources, one is almost
inclined to call it a work of Peichl's old age, combining his love
of clear volumes with a sovereign grasp of technical requirements.
Like the silvery-sparkling ORF studios, the ground radio station in
Styria and the liner-like phosphate elimination plant in Berlin
before it, the Neues Haus is also crammed full of technology. It
contains three stages, and two of them can be used at the same
time. The largest playing area is elaborately equipped with gallery
and under-stage; it is therefore intended as the main rehearsal
area in future. The two large auditoriums are stacked one above the
other like shoe-boxes and form a massive hollow core surrounded by
all the service functions. The interior is dominated by a plainness
that oscillates between poverty and asceticism. The corridors and
foyers are narrow, the stairs simple, the interval areas positively
sparse. The only opulent feature is the splendid technical
equipment. Peichl's handwriting can be seen in the treatment of the
details and his ingenious practice of self-quotation. Many of the
motifs are reminiscent of earlier projects, and of course the
typical portholes, spiral staircases and railings made of steel
hawsers crop up again, all Peichl's usual maritime metaphors. In
this way he has produced a building whose cool elegance reveals
scarcely anything of its inner values.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!
|
You might also like..
|
Email address subscribed successfully.
A activation email has been sent to you.
Please click the link in that email to activate your subscription.