"One day I blew my nose and half my brains came out." Los Angeles,
1976. David Bowie is holed up in his Bel-Air mansion, drifting into
drug-induced paranoia and confusion. Obsessed with black magic and
the Holy Grail, he's built an altar in the living room and keeps
his fingernail clippings in the fridge. There are occasional trips
out to visit his friend Iggy Pop in a mental institution. His
latest album is the cocaine-fuelled "Station To Station" (Bowie: "I
know it was recorded in LA because I read it was"), which welds
R&B rhythms to lyrics that mix the occult with a yearning for
Europe, after three mad years in the New World. Bowie has long been
haunted by the angst-ridden, emotional work of the Die Brucke
movement and the Expressionists. Berlin is their spiritual home,
and after a chaotic world tour, Bowie adopts this city as his new
sanctuary. Immediately he sets to work on "Low", his own
expressionist mood-piece.
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