Iain Morrison's debut collection I'm a Pretty Circler is
experimental without being intimidating; conversational without
being casual; and outrageous without shedding tenderness. Within
its pages, Emily Dickinson rubs shoulders with drag queens, while
nineteenth-century German composers are as likely to be referenced
as dating apps. Morrison balances punchy, patterned short poems
with longer more conversational or collaged works that explore ways
in which sex, class, technology and religion intertwine in
contemporary Britain.
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