Giacomo Puccini, composer of some of the world's most popular
operas, including La Boheme, Tosca, and Madame Butterfly, was also
a highly literary person who based his librettos on existing works
of literature. This work explores that literary inheritance in an
effort to enhance the listener's appreciation of the operatic
experience. The author argues that the majority of Puccini's operas
compose a grand cycle that finds its roots in the romance genre of
12th century France, serving to celebrate the strong, independent
heroine. Via a close examination of the source works, the
librettos, and the scores, this book offers fresh perspective on
Puccini's legacy.
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