Andy Warhol, one of the twentieth century's major visual artists,
was a prolific filmmaker who made hundreds of films, many of them -
"Sleep", "Empire", "Blow Job", "The Chelsea Girls", and "Blue
Movie" - seminal but misunderstood contributions to the history of
American cinema. In the first comprehensive study of Warhol's
films, J.J. Murphy provides a detailed survey and analysis. He
discusses Warhol's early films, sound portraits, involvement with
multimedia (including The Velvet Underground), and sexploitation
films, as well as the more commercial works he produced for Paul
Morrissey in the late 1960s and early 1970s. Murphy's close
readings of the films illuminate Warhol's brilliant collaborations
with writers, performers, other artists, and filmmakers. The book
further demonstrates how Warhol's use of the camera transformed the
events being filmed and how his own unique brand of psychodrama
created dramatic tension within the works.
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