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The Aesthetics of Desire and Surprise - Phenomenology and Speculation (Hardcover)
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The Aesthetics of Desire and Surprise - Phenomenology and Speculation (Hardcover)
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The Aesthetics of Desire and Surprise: Phenomenology and
Speculation covers issues central to contemporary continental
philosophy (desire, expectations, excess, rupture, transcendence,
immanence, surprise). The proposed term desire||surprise captures
the phenomenological-speculative character of the pair not yet and
no longer. Non-obvious parallels between different thinkers are
drawn, and the argumentation is organized around philosophical
figures relevant in the sequence desire - excess -pause (rupture,
break) - recuperation (surprise). The works of Levinas, Zizek,
Bataille, Blanchot, Foucault, and Ricoeur are interpreted and
positioned according to the proposed template of desire - excess -
pause. The consideration of limit experiences involves authors
fascinated by transgression, and the question of whether excess is
immanent or transcendent. This discussion considers works by
Nietzsche, Deleuze, Zizek, and Foucault. The analysis of surprise
and the beginning of recovery after the pause considers works by
Fink, Merleau-Ponty, Nancy, Lyotard, Dufrenne, Bachelard, and Seel.
The provocative argument elaborated in this work is that surprise
starts with indifference. Furthermore, the argument is that
surprise begins where the concept reaches its ending, hence that
the limit of speculative thinking at its ending is the limit of
aesthetics at its beginning. The work of Hegel, Schelling and
Jaspers are discussed in order to argue for the beginning of
aesthetics there where knowledge ends. Philosophical thematic is
contextualized via sections on artists such as Duchamp and
Mondrian, and on some films, provoking interest of aestheticians
working in art history and cultural studies departments.
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