Through detailed intricate histories of illicit Internet piracy
networks, "Digital Culture Industry" goes beyond the Napster
creation myth and illuminates the unseen individuals, conflict and
code behind the turn to digital media distribution. By utilising
the internet as an archive of digital documents, the author
presents unique histories of sites such as MP3.com and The Pirate
Bay, and illuminates the software, values and people behind
networks such as GNUtella and BitTorrent. By examining topics such
as hacker ideology, data rights management and the ownership of
digital media, this book demonstrates how our relationship to media
objects has been transformed by digital distribution. The book also
examines the method behind the work and demonstrates how digital
documents can be utilised for historical research. It argues for
histories that account for detail, the unintended and the impact
that code can have on the trajectory of social change.
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