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Hiddenness, Uncertainty, Surprise - Three Generative Energies of Poetry (Paperback)
Loot Price: R263
Discovery Miles 2 630
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(18%)
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Hiddenness, Uncertainty, Surprise - Three Generative Energies of Poetry (Paperback)
Series: Newcastle/Bloodaxe Poetry
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List price R319
Loot Price R263
Discovery Miles 2 630
You Save R56 (18%)
Expected to ship within 9 - 15 working days
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In this innovative series of public lectures at the University of
Newcastle upon Tyne, leading contemporary poets speak about the
craft and practice of poetry to audiences drawn from both the city
and the university. The lectures are then published in book form by
"Bloodaxe", giving readers everywhere the opportunity to learn what
the poets themselves think about their own subject. Jane Hirshfield
examines the roles of hiddenness, uncertainty and surprise as they
appear in poetry and other works of literature, in the life and
psyche of the writer, and in the broader life of the culture as a
whole. "Poetry and Hiddenness: Thoreau's Hound Explorations of
Hiddenness" go back to the beginning of literature. There is no
paradise, no place of true completion, that does not include within
its walls the unknown. In this lecture, Hirshfield explores the
centrality and necessity of hiddenness in our lives, and elucidates
both the uses of hiddenness and hidden meanings in the work of
writers ranging from Homer to Cavafy, from Auden to Jack
Gilbert.Poetry and Uncertainty - To be human is to be unsure, and
if the purpose of poetry is to deepen the humanness in us, poetry
will be unsure as well. This lecture illuminates the ways
uncertainty - in poems, and in life - allows both broadened feeling
and enlarged knowledge. Translations are central to this talk,
which includes poems by Izumi Shikibu, Anna Swir, Fernando Pessoa
and Paul Celan. "Poetry and the Constellation of Surprise Poems"
preserve their inaugural newness in part because they are like the
emotions - not object, but experience, event. Poems that last are
those that do not lose the power to astonish. This lecture examines
surprise as a central, unrecognised fulcrum of great poems. Three
poems are then looked at in detail by Hirshfield as test-cases:
"Ithaka" by C.P. Cavafy, "Oysters" by Seamus Heaney and "Nothing
Gold Can Stay" by Robert Frost.
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