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Like a Bomb Going Off - Leonid Yakobson and Ballet as Resistance in Soviet Russia (Hardcover)
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Like a Bomb Going Off - Leonid Yakobson and Ballet as Resistance in Soviet Russia (Hardcover)
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The powerfully moving story of the Russian Jewish choreographer who
used dance to challenge despotism Everyone has heard of George
Balanchine, but few outside Russia know of Leonid Yakobson,
Balanchine’s contemporary and arguably his equal, who remained in
Lenin’s Russia and survived censorship during the darkest days of
Stalin. Like Shostakovich, Yakobson suffered for his art and yet
managed to create a singular body of revolutionary work that spoke
to the Soviet condition. His ballets were considered so explosive
that their impact was described as “like a bomb going off.”
Challenged rather than intimidated by the restrictions
imposed by Soviet censors on his ballets, Yakobson offered dancers
and audiences an experience quite different from the prevailing
Soviet aesthetic. He was unwilling to bow completely to the
state’s limitations on his artistic opportunities, so despite his
fraught relations with his political overseers, his ballets
retained early-twentieth-century movement innovations such as
turned-in and parallel-foot positions, oddly angled lifts, and
eroticized content, all of which were anathema to prevailing Soviet
ballet orthodoxy. For Yakobson, ballet was a form of political
discourse, and he was particularly alive to the suppressed identity
of Soviet Jews and officially sanctioned anti-Semitism. He used
dance to celebrate reinvention and self-authorship—the freedom of
the individual voice as subject and medium. His ballets challenged
the role of the dancing body during some of the most repressive
decades of totalitarian rule. Yakobson’s work unfolded in
a totalitarian state, and there was little official effort to
preserve his choreographic archive or export knowledge of him to
the West—gaps that dance historian Janice Ross seeks to redress
in this book. Based on untapped archival collections of
photographs, films, and writings about Yakobson’s work in Moscow
and St. Petersburg for the Bolshoi and Kirov ballets, as well as
interviews with former dancers, family, and audience members, this
illuminating and beautifully written study brings to life a hidden
history of artistic resistance in the Soviet Union through the
story of a brave artist who struggled his entire life against
political repression yet continued to offer a vista of hope.
General
Imprint: |
Yale University Press
|
Country of origin: |
United States |
Release date: |
2015 |
Firstpublished: |
2015 |
Authors: |
Janice Ross
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Foreword by: |
Lynn Garafola
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Dimensions: |
235 x 156 x 37mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
536 |
ISBN-13: |
978-0-300-20763-7 |
Categories: |
Books >
Arts & Architecture >
General
|
LSN: |
0-300-20763-8 |
Barcode: |
9780300207637 |
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