They may wear cowboy hats and boots and sing about "faded love,"
but western swing musicians have always played jazz From Bob Wills
and the Texas Playboys to Asleep at the Wheel, western swing
performers have played swing jazz on traditional country
instruments, with all of the required elements of jazz, and some of
the best solo improvisation ever heard.
In this book, Jean A. Boyd explores the origins and development
of western swing as a vibrant current in the mainstream of jazz.
She focuses in particular on the performers who made the music,
drawing on personal interviews with some fifty living western swing
musicians. From pioneers such as Cliff Bruner and Eldon Shamblin to
current performers such as Johnny Gimble, the musicians make
important connections between the big band swing jazz they heard on
the radio and the western swing they created and played across the
Southwest from Texas to California.
From this first-hand testimony, Boyd re-creates the world of
western swing-the dance halls, recording studios, and live radio
shows that broadcast the music to an enthusiastic listening
audience. Although the performers typically came from the same
rural roots that nurtured country music, their words make it clear
that they considered themselves neither "hillbillies" nor "country
pickers," but jazz musicians whose performance approach and
repertory were no different from those of mainstream jazz. This
important aspect of the western swing story has never been told
before.
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