That Wagner conceived of himself creatively as both man and woman
is central to an understanding of his life and art. So argues
Jean-Jacques Nattiez in this richly insightful work, where he draws
from semiology, music criticism, and psychoanalysis to explore such
topics as Wagner's theories of music drama, his anti-Semitism, and
his psyche. Wagner, who wrote the libretti for the operas he
composed, maintained that art is the union of the feminine
principle, music, and the masculine principle, poetry. In light of
this androgynous model, Nattiez reinterprets the Wagnerian canon,
especially the Ring of the Nibelung, which is shown to contain a
metaphorical transposition of Wagner's conception of the history of
music: Siegfried appears as the poet, Brunnhilde, as music, and
their union is an androgynous one in which individual identity
fades and the lovers revert to a preconflictual, presexual state.
Nattiez traces the androgynous symbol in Wagner's theoretical
writings throughout his career. Looking to explain how this idea,
so closely bound up with sexuality, took root in Wagner's mind, the
author considers the possibility of Freudian and Jungian
interpretations. In particular he explores the composer's
relationship with his mother, a distant woman who discouraged his
interest in the theater, and his stepfather, a loving man whom
Wagner suspected was not only his real father but also a Jew. Along
with psychoanalysis, Nattiez critically applies various
structuralist and feminist theories to Wagner's creative enterprise
to demonstrate how the nature of twentieth-century hermeneutics is
itself androgynous. Originally published in 1993. The Princeton
Legacy Library uses the latest print-on-demand technology to again
make available previously out-of-print books from the distinguished
backlist of Princeton University Press. These editions preserve the
original texts of these important books while presenting them in
durable paperback and hardcover editions. The goal of the Princeton
Legacy Library is to vastly increase access to the rich scholarly
heritage found in the thousands of books published by Princeton
University Press since its founding in 1905.
General
Imprint: |
Princeton University Press
|
Country of origin: |
United States |
Series: |
Princeton Legacy Library |
Release date: |
April 2016 |
First published: |
1993 |
Authors: |
Jean-Jacques Nattiez
|
Translators: |
Stewart Spencer
|
Dimensions: |
229 x 152 x 22mm (L x W x T) |
Format: |
Hardcover - Trade binding
|
Pages: |
380 |
ISBN-13: |
978-0-691-63486-9 |
Categories: |
Books >
Arts & Architecture >
Music >
General
Books >
Music >
General
|
LSN: |
0-691-63486-6 |
Barcode: |
9780691634869 |
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