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Richard III's Bodies from Medieval England to Modernity - Shakespeare and Disability History (Paperback)
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Richard III's Bodies from Medieval England to Modernity - Shakespeare and Disability History (Paperback)
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Richard III will always be central to English disability history as
both man and myth-a disabled medieval king made into a monster by
his nation's most important artist. In Richard III's Bodies from
Medieval England to Modernity, Jeffrey Wilson tracks disability
over 500 years, from Richard's own manuscripts, early Tudor
propaganda, and x-rays of sixteenth-century paintings through
Shakespeare's soliloquies, into Samuel Johnson's editorial notes,
the first play produced by an African American Theater company,
Freudian psychoanalysis, and the rise of disability theater. For
Wilson, the changing meanings of disability created through
shifting perspectives in Shakespeare's plays prefigure a series of
modern attempts to understand Richard's body in different
disciplinary contexts-from history and philosophy to sociology and
medicine. While theorizing a role for Shakespeare in the field of
disability history, Wilson reveals how Richard III has become an
index for some of modernity's central concerns-the tension between
appearance and reality, the conflict between individual will and
external forces of nature and culture, the possibility of upward
social mobility, and social interaction between self and other,
including questions of discrimination, prejudice, hatred,
oppression, power, and justice.
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