The Optic of the State traces the production of nationalist
imaginaries through the public visual representation of modern
state formation in Brazil and Argentina. As Jens Andermann reveals,
the foundational visions of national heritage, territory, and
social and ethnic composition were conceived and implemented, but
also disputed and contested, in a complex interplay between
government, cultural, and scientific institutions and actors, as a
means of propagating political agendas and power throughout the
emerging states. The purpose of these imaginaries was to vindicate
the political upheavals of the recent past and secure the viability
of the newly independent states through a sense of historic destiny
and inevitable evolution. The careful presentation of artifacts and
spectacles was also aimed abroad in order to win the favor of
European imperial powers and thereby acquire a competitive place in
the nascent global economy of the late nineteenth century. The
Optic of the State offers a fascinating critique of the visual
aspects of national mythology. It exposes how scientific and
cultural institutions inscribed the state-form in time and space,
thus presenting historical processes as natural \u201cgivens.\u201d
General
Imprint: |
University of Pittsburgh Press
|
Country of origin: |
United States |
Series: |
Illuminations |
Release date: |
October 2007 |
First published: |
September 2007 |
Authors: |
Jens Andermann
|
Dimensions: |
235 x 150 x 15mm (L x W x T) |
Format: |
Paperback
|
Pages: |
272 |
ISBN-13: |
978-0-8229-5972-4 |
Categories: |
Books >
Social sciences >
Politics & government >
General
|
LSN: |
0-8229-5972-0 |
Barcode: |
9780822959724 |
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