0
Your cart

Your cart is empty

Books > Arts & Architecture > Performing arts > Films, cinema > Individual film directors, film-makers

Buy Now

Hitchcock and the Censors (Hardcover) Loot Price: R1,343
Discovery Miles 13 430
Hitchcock and the Censors (Hardcover): John Billheimer

Hitchcock and the Censors (Hardcover)

John Billheimer

Series: Screen Classics

 (sign in to rate)
Loot Price R1,343 Discovery Miles 13 430 | Repayment Terms: R126 pm x 12*

Bookmark and Share

Expected to ship within 9 - 17 working days

Throughout his career, Alfred Hitchcock had to deal with a wide variety of censors attuned to the slightest suggestion of sexual innuendo, undue violence, toilet humor, religious disrespect, and all forms of indecency, real or imagined. From 1934 to 1968, the Motion Picture Production Code Office controlled the content and final cut on all films made and distributed in the United States. Code officials protected sensitive ears from standard four-letter words, as well as a few five-letter words like tramp and six-letter words like cripes. They also scrubbed "excessively lustful" kissing from the screen and ensured that no criminal went unpunished. During their review of Hitchcock's films, the censors demanded an average of 22.5 changes, ranging from the mundane to the mind-boggling, on each of his American films. Code reviewers dictated the ending of Rebecca (1940), absolved Cary Grant of guilt in Suspicion (1941), edited Cole Porter's lyrics in Stage Fright (1950), decided which shades should be drawn in Rear Window (1954), and shortened the shower scene in Psycho (1960). In Hitchcock and the Censors, author John Billheimer traces the forces that led to the Production Code and describes Hitchcock's interactions with code officials on a film-by-film basis as he fought to protect his creations, bargaining with code reviewers and sidestepping censorship to produce a lifetime of memorable films. Despite the often-arbitrary decisions of the code board, Hitchcock still managed to push the boundaries of sex and violence permitted in films by charming - and occasionally tricking - the censors and by swapping off bits of dialogue, plot points, and individual shots (some of which had been deliberately inserted as trading chips) to protect cherished scenes and images. By examining Hitchcock's priorities in dealing with the censors, this work highlights the director's theories of suspense as well as his magician-like touch when negotiating with code officials.

General

Imprint: The University Press of Kentucky
Country of origin: United States
Series: Screen Classics
Release date: June 2019
Authors: John Billheimer
Dimensions: 161 x 239 x 30mm (L x W x T)
Format: Hardcover - Cloth over boards
Pages: 384
ISBN-13: 978-0-8131-7742-7
Categories: Books > Arts & Architecture > Performing arts > Films, cinema > Individual film directors, film-makers
Promotions
LSN: 0-8131-7742-1
Barcode: 9780813177427

Is the information for this product incomplete, wrong or inappropriate? Let us know about it.

Does this product have an incorrect or missing image? Send us a new image.

Is this product missing categories? Add more categories.

Review This Product

No reviews yet - be the first to create one!

You might also like..

American Cinema of the 1940s - Themes…
Wheeler Winston Dixon Hardcover R2,532 Discovery Miles 25 320
Sculpting in Time - Reflections on the…
Andrey Tarkovsky Paperback R873 R828 Discovery Miles 8 280
Leave the Gun, Take the Cannoli - The…
Mark Seal Paperback R347 R318 Discovery Miles 3 180
Queer Theory and Brokeback Mountain
Matthew Tinkcom Hardcover R2,675 Discovery Miles 26 750
The Young Alfred Hitchcock's Moviemaking…
Paperback R385 Discovery Miles 3 850
The Cinema of Robert Gardner
Lucien Taylor, Ilisa Barbash Hardcover R3,906 Discovery Miles 39 060
Print the Legend - The Life and Times of…
Scott Eyman Paperback  (1)
R653 R607 Discovery Miles 6 070
The Cinema of Stephanie Rothman…
Alicia Kozma Hardcover R3,170 Discovery Miles 31 700
The Transformative Cinema of Alejandro…
George Melnyk Hardcover R3,195 Discovery Miles 31 950
Shooting to Kill - How an Independent…
Christine Vachon, David Edelstein Paperback R468 R437 Discovery Miles 4 370
Time is Money! The Century, Rainbow, and…
Thomas Reeder Hardcover R1,127 Discovery Miles 11 270
Costumes for the Films of Andrei…
Nelli Fomina Paperback R858 Discovery Miles 8 580

See more

Partners