The fifteen studies assembled here grew out of research on
south-Italian ordinary chants and tropes for the multi-volume
series Beneventanum Troporum Corpus II, edited by John Boe in
collaboration with Alejandro Planchart. In the present essays,
clerical and ordinary chants and tropes of the Mass (especially
when derived from paraliturgical hymns and poems), certain aspects
of chant notation and particular facets of the old Beneventan and
the old Roman chant repertories are examined in relation to the
three main cultic centres of the Italian south - Benevento,
Montecassino and Rome - and as they relate to their European
context, namely Frankish and Norman chant and the varieties of
chant sung in Italy north of Rome. The volume includes one
previously unpublished study, on the Roman introit Salus Populi.
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