The music we hear is always inhabited by voices of previous
performances. Because listening is now so often accompanied by
moving images, this process is more complex than ever. Music
videos, television and film music, interactive video games, and
social media are now part of the contemporary listening experience.
In An Eye for Music, author John Richardson navigates key areas of
current thought - from music theory to film theory to cultural
theory - to explore what it means that the experience of music is
now cinematic, spatial, and visual as much as it is auditory.
Richardson maps out the terrain of recent audiovisual production
over a wide array of styles and practices, and sketches out a set
of common structures that inform how we experience sound and
vision. Whether examining Philip Glass or The Gorillaz, Richard
Linklater's Waking Life or Michel Gondry's Be Kind Rewind,
Richardson's arguments are both fascinating and provocative.
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