The introduction in late 2005 of the re-invigorated sedition laws
provoked an angry response from a wide coalition of civil
libertarians, authors, publishers, artists and performers, who saw
them as an invasion of creators' right to social criticism. One of
our favourite creators of satirical revue examines the state of
theatrical satire in the light of these events, larding his
argument with songs and sketches from the Wharf Revue for which he
is famous.
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