Books > Language & Literature > Literature: history & criticism > Novels, other prose & writers > 19th century
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Caught in the Act - Theatricality in the Nineteenth-century English Novel (Hardcover)
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Caught in the Act - Theatricality in the Nineteenth-century English Novel (Hardcover)
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The author reveals not only the surprising wealth of theatrical
themes in the 19th-century English novel but also the complex
politics of this theatricality. 19th-century fiction is typically
understood as enshrining the bourgeois values of domesticity,
subjectivity and sincerity. But the author demonstrates that
private experience in Jane Austen, Charlotte Bronte, George Eliot
and Henry James in fact follows a rigorous "public" script that
constructs gender, sexual and class identities. At the same time,
however, the 19th-century novel erupts with extravagant theatrical
forms like travesty, transvestism, charade and carnival.
Theatricality not only enforces social norms but also provides
novelists with ways of resisting them.;The author thus challenges
recent interpretations of the 19th-century novel as a disciplinary
apparatus. Theatricality as deployed here encourages the rethinking
of the 19th-century novel and its various cultural contexts in all
their instability and ambivalence. This rethinking, moreover,
yields not only a new interpretation of the 19th-century novel, but
also a new, more frankly theatrical approach to interpretation
itself.
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