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Child Actors on the London Stage, circa 1600 - Their Education, Recruitment and Theatrical Success (Paperback)
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Child Actors on the London Stage, circa 1600 - Their Education, Recruitment and Theatrical Success (Paperback)
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*Child Actors on the London Stage, c 1600 by Julie Ackroyd has been
shortlisted for the Society for Theatre Researchs Book prize! Actor
and playwright Rory Kinnear (National Theatre, RSC, James Bond
franchise) will announce who has won the STR Theatre Book Prize for
books published in 2017 and make the presentation at the historic
Theatre Royal, Drury Lane, on Thursday 21 June 2018.* A legal
document dated 1600, for a Star Chamber case titled Clifton vs.
Robinson, details how boys were abducted from London streets and
forcibly held in order to train them as actors for the Blackfriars
theatre. No adults were seen on-stage in this theatre, which was
stocked solely by acting boys, resulting in a satirical and
scurrilous method of play presentation. Were the boys specifically
targeted for skills they may have possessed which would have been
applicable to this type of play presentation? And, was this method
of 'recruitment' typical or atypical of Elizabethan theatre?
Analysis of the background of the boy subjects of the legal case
indicate that several had received grammar-school tuition and, as a
result, would have possessed skills in oration and rhetoric.
Indeed, a significant number of the grammar schools in London
provided regular public disputations and theatrical performances
which would have made these boys an attractive proposition for
inclusion in a theatrical company. The styles of play-texts which
the boys performed and their manner of presenting characters helps
to assess why child acting companies were commercially viable and
popular. Their portrayal of all roles in a performance; young and
old, male and female, clearly demonstrated their versatility and
skill in mimicry and the adoption of other personas. Therefore the
taking of grammar-school boys for re-training as actors was not
opportunistic; their abductions were planned. The theatre owners
undertook this method of recruitment as they felt that they were
immune from prosecution due to holding royal commissions which they
used to recruit boys. However, the Clifton vs. Robinson case
clearly demonstrates that a determined parent whose child had been
taken could challenge this and demand reparation.
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