This is the first book-length consideration of music in British
films to appear in sixty years. During the 1930s, British-made
musicals were the most popular films seen by British audiences
while British film music produced some outstanding pieces that
became concert hall classics. This book addresses music in British
films, both as musical scores (in the first half of the book) and
as British film musicals (the second half). Each section will start
with a detailed chronological review history.
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